For many of these women, the reading experience begins from a place of seething rage. Take Sara Marcus’ initial impression of Jack Kerouac: “I remember putting On the Road down the first time a woman was mentioned. I was just like: ‘Fuck. You.’ I was probably 15 or 16. And over the coming years I realized that it was this canonical work, so I tried to return to it, but every time I was just like, ‘Fuck you.’” Tortorici had a similarly visceral reaction to Charles Bukowski: “I will never forget reading Bukowski’s Post Office and feeling so horrible, the way that the narrator describes the thickness of ugly women’s legs. I think it was the first time I felt like a book that I was trying to identify with rejected me. Though I did absorb it, and of course it made me hate my body or whatever.” Emily Witt turned to masculine texts to access a sexual language that was absent from books about women, but found herself turned off by their take: “many of the great classic coming-of-age novels about the female experience don’t openly discuss sex,” she says in No Regrets. “I read the ones by men instead, until I was like, ‘I cannot read another passage about masturbation. I can’t. It was like a pile of Kleenex.”
This isn’t just about the books. When young women read the hyper-masculine literary canon—what Emily Gould calls the “midcentury misogynists,” staffed with the likes of Roth, Mailer, and Miller—their discomfort is punctuated by the knowledge that their male peers are reading these books, identifying with them, and acting out their perspectives and narratives. These writers are celebrated by the society that we live in, even the one who stabbed his wife. In No Regrets, Elif Bautman talks about reading Henry Miller for the first time because she had a “serious crush” on a guy who said his were “the best books ever,” and that guy’s real-life recommendation exacerbated her distaste for the fictional. When she read Miller, “I felt so alienated by the books, and then thinking about this guy, and it was so hot and summertime … I just wanted to kill myself. … He compared women to soup.”
“when it comes to dressing myself, i live by a very simple principle. i am fat, therefore, i look fat in everything; consequently, i can wear anything.”—Advice from perfect goddess Kim Selling, whose writing you can expect to see in issue #2! (via filmmefatales)
“Of course, this is one of the profound ways in which oppression works—to mire us in body hatred. Homophobia is all about defining queer bodies as wrong, perverse, immoral. Transphobia, about defining trans bodies as unnatural, monstrous, or the product of delusion. Ableism, about defining disabled bodies as broken and tragic. Class warfare, about defining the bodies of workers as expendable. Racism, about defining the bodies of people of color as primitive, exotic, or worthless. Sexism, about defining female bodies as pliable objects. These messages sink beneath our skin.”—Eli Clare, “Stolen Bodies, Reclaimed Bodies” (via genderqueer)
“The process begins with the individual woman’s acceptance that American women, without exception, are socialized to be racist, classist and sexist, in varying degrees, and that labeling ourselves feminists does not change the fact that we must consciously work to rid ourselves of the legacy of negative socialization.”—
bell hooks, Ain’t I a Woman: Black Women and Feminism
And imperialist as well. Denying this reality doesn’t help make it go away, it just makes it more insidious and harder to combat.